Tuesday, October 24, 2023

Sharpie dressed men - and women



"Slade Alive! was the biggest selling album in Australia since Sgt. Pepper’s. Here Slade were embraced by an existing Aussie subculture called the sharpies, a Down Under mutant of skinheads.  Sharpies had their own uniquely odd style of dancing and a look that merged skin with glitter plus quirky local variations. High-waist denim trousers, platform boots, a torso-hugging cardigan worn a couple of sizes too tight – the sharpie style was a harder, meaner version of the look that the Bay City Rollers would adopt in a year or two. But the hair style was something else: cropped at the front and on top, but mullet-like with rat-tail wisps straggling over the back collar.  In addition to Slade, Sharpies loved other stompy glitter performers like Suzi Quatro but they also rallied to local acts purveying basic bluesy boogie such Lobby Loyde & the Coloured Balls."  - from S+A




Call it the Bogan Boogie...




At 1.12 below you can see sharpies taking over the stage at a Slade concert




More on the sharpies by Bruce Milne at Perfect Sound Forever


"The Sharpie movement was a short-lived youth subculture that seemed to explode out of nowhere, in Melbourne, Australia, in late '72. I can still remember the moment when I first noticed the tougher kids at my school turning up in strange clothes and haircuts. It seemed that within a matter of weeks Sharpies were everywhere.

"My most vivid memory was, as a longhaired 16 year old, going to the Sunbury '74 rock festival in a kaftan... "The festival was not quite the three days of peace, love and music I had been led to believe it would be. It was dust, scorching heat, no toilets to speak of and a lot of drunk, aggressive people.,,, 

"It was the haircuts and clothes that defined Sharpies. Though there were plenty of variations and permutations, the basic look (for boys and girls) was short hair, with longs wisps at the back, flared, high-waisted pants or jeans and a tight-fitted, striped cardigan....

"Largely, Sharpies were just bored, working-class kids from outer suburbs (that had sprung up too quickly, and with too few decent facilities and the needed infrastructure) hanging together and looking for things to do in a rapidly expanding city that was renown for its boring conservatism....
 
:Sharpies were very territorial. They named their gangs after the suburb (Broadmeadows -"The Broady Boys," Jordanville – "The Jordy Boys"), part of the suburb ("The South Blackburn Sharps"), or even the street they came from. Presumably because they were too broke or too young to own cars, they seemed to live half their lives on the trains and train stations around Melbourne. It made for some very scary travelling.

"Bowling alleys and pinball parlors were another place you could always count on running into a contingent.

"Before long, Sharpies could be found in every major city, though Melbourne was always Mecca. You couldn't find the right clothes in other places. The weather probably had a lot to do with it, too. Melbourne is the only major city in the country that isn't warm almost all year long. Walking around any other city in a tight, woollen cardigan would have taken a lot of commitment.

"I've since read that Sharpies evolved out of Sharps – sorta mod dressing kids in the late 60s who didn't go in for the whole cheese-cloth and sandals hippy thing.... 

"The boys' haircuts were short all over with styled (and often bleached) strands ("rat tails") hanging down the back. The girls' haircuts were often similar, though they tended to have their hair a bit longer. Red dye seemed to be very popular, too. Whenever I see the cover of Bowie's Aladdin Sane, Diamond Dogs or (especially) Pinups, I think of Sharpie girls.

"The most important item of Sharpie clothing was the "Conny," a super tight, ribbed and collared cardigan. They came in a variety of colors, with stripes of a clashing colour, and they usually had a silly little buttoned belt on the back (similar to what you might find on an old waist coat). ...

"Under the connys, a Crestknit short-sleeved shirt, with a small collar and a 3-button neck was go. Or a T-shirt. It was really hard to find T-shirts with cool designs or band logos on them in the early '70's. But almost every shopping mall had a small booth where you could take a t-shirt and have flock (velvety) block letters glued on it. The organised Sharpie gangs always had t-shirts with their gang's name done in these.... 

"Jeans were almost mandatory. For boys, they had to be tight Lees or Levis. If you had the money, or you were really dressing up, ridiculous Staggers jeans were the go. They had a really tight seam up the crotch that split (and highlighted) your balls. They must have been painful to wear. They often had extreme flared legs..../ 

"A lot of guys also wore chequered flared pants that (I'm guessing) were inspired by Noddy Holder's (of Slade) stage wear.

"Girls had more variety but the most popular jeans were really high waisted with wide flared (loon) legs that often covered the tops of their platform shoes. Denim miniskirts were also popular. Worn with colored tights and/or striped socks....

"Big platform boots were standard for boys. They were often two-coloured, in much the same way as a sunburst guitar is. They had a heavy, high heel and an exaggerated rounded toe, or a blunt, squared toe.....

"Girls wore platform shoes that had a solid cork base. As high as possible.

"The height of the shoes meant that Sharpies walked in a sort of Herman Munster-ish way."

"Sharpie guys were the first males I ever saw with earrings, usually just one, small ring. Sharpie girls had heavily plucked eyebrows and exaggerated eye make up in terrible (powder-blue, orange, ugh!) colours."


"The Sharpies loved their music tough, loud and simple. Suzi Quatro, Sweet, Sensational Alex Harvey Band, T-Rex, Gary Glitter and Bowie (as long as it was songs like "Rebel Rebel" or "Jean Genie"). But the most popular overseas group was Slade. They were probably bigger in Australia than anywhere else. "Slade Alive!" was played at every party I went to where there were Sharpies. When Slade toured with Status Quo in early '73, every gig was like a mass meeting of the Sharpie clans.... 

"Looking back, all of the fave Sharpie songs tended to be the simple, call-to-arms anthems – "Can The Can, " "Rebel Rebel, " "Get It On," "Metal Guru," "I'm the Leader of the Gang (I Am!)," "Rock'n'Roll Pt. 2," "Jean Genie," "Ballroom Blitz," "Liberate Rock," "All The Young Dudes," "Smokin' In The Boysroom," "Speed King," "Teenage Rampage," "Framed," "Get Down and Get With It," "Mama Weer All Crazee Now," "Cum on Feel the Noize."

"The Sharpies had a particular dance. They'd form small circles and bounce on their legs a bit whilst thumpin' their fists up and down in front of their bodies."


An older post on the Sharpies and Bogan Boogie, with comments from actual Aussies who witnessed the Down Under subculcha in real time. 



Monday, October 16, 2023

guru versus guru

 


Heard this and suddenly thought maybe the title lodged in Marc Bolan's brain


After all, Tyrannosaurus Rex were a Underground band -  beloved and supported by Peel, who also  loved and supported Captain Beefheart and the Magic Band. His playing of the record on Top Gear probably had something to do with Trout Mask Replica actually making the UK albums chart - it got to #21, would you believe!  (The next album Lick My Decals Off, Baby did even better - #20)

There's even a sort of once-removed connection - Beefheart was an old schoolfriend of Frank Zappa's and recorded for Zappa's label and was part of that whole LA freak scene. For quite a while the Mothers of Invention included Flo & Eddie - aka Howard Kaylan and Mark Volman -  the ex-Turtles who went down a sort of rock-parodic path not unlike Zappa's own mock-it-all tendencies. And it's Flo & Eddie of course who did those creamy near-hysteria backing vocals on "Hot Love", "Get It On" and many other T.Rex hits. 




Flo & Eddie star in Zappa's frightful film 200 Motels.






Completely unconnected, but there's also the ridiculously groovy second-division Krautrock Guru Guru











Not forgetting rave-era buffoon Guru Josh.



Briefly buoyed by a fad for live-performing keyboard whizzes on the rave scene (Adamski was the other one) 



Monday, October 9, 2023

"You look like a Rolling Gnome"



Promo film created by the BBC to go with the "The Laughing Gnome", when it was rereleased in 1973, without David Bowie's consent, and became a #6 UK hit. 

The video uses an animation technique known as pixilation - I wonder if that came through associative-drift (gnome, pixie)

The belated success of "Laughing Gnome" is a bit like "Being Boiled" finally making the charts after The Human League's breakthrough. Or Adam and the Ants early tune "Young Parisians" going Top Ten after "Dog Eat Dog / Ant Music / Kings of the Wild Frontier". 

There is so much to enjoy about the fact that the first-time-around flop became a post-Ziggy smash.

First, it must have infuriated and embarrassed the newly supercool star, having his naff past dredged up.

Second, because it's a deliciously silly single. 

It slots into that category of novelty hits that you only ever get in the U.K.  Less like something originally made by a would-be pop star and more like a single done by a famous TV comedian (Charlie Drake's "Puckwudgie" immediately springs to mind - indeed it was a near-hit the previous year).  


Here's an opportunity to wheel out a cherished eccentric opinion: the first self-titled David Bowie is one of his most enjoyable records. It failed to achieve the goal of making him a star... but on its own terms, it's a complete success. 

It's certainly much better than the second David Bowie album that followed two years later in 1969.

So what are the best Bowie albums IMHO? 

1/ Low

2/ Hunky Dory

3/ Scary Monsters (and Super Creeps)

4/ Lodger 

5/ David Bowie (1967)


I won't volunteer my thoughts on the worst Bowie albums - too many to choose from!

But what are the most overrated? The ones that don't quite add up, or that have a few stunning things on them (often the singles), but are otherwise patchy or pretentious (but crucially, failed pretension)

1/ Station to Station 

2/ "Heroes"

3/ Diamond Dogs

4/Young Americans  

5/ The Man Who Sold The World 

6/ Let's Dance

7/ David Bowie (1969)

Here "overrated" refers specifically to the size of the gap between the reputation and the reality. As opposed to an actual judgement on the overall quality and where the record might finally stand in a peak-to-puke descending list of his works. 

(Acknowledging of course the sublime perfection within those albums, songs it would be impossible to overrate:  "Golden Years", "'Heroes'", "Secret Life of Arabia", "Rebel Rebel",  "Fame", "The Width of A Circle", "The Man Who Sold The World", "The Supermen", "Let's Dance", "Space Oddity" obviously...)

("Dodo" if we are counting the anniversary expanded edition of Diamond Dogs which we probably shouldn't)

As for those not mentioned in either chart.... 

The Rise and Fall of Ziggy Stardust and the Spiders from Mars is, I s'pose,  objectively one of his best albums. But I've never really felt a feeling from it, as such. Apart from the title track. I mean, "Suffragette City" is a great tune but I don't have any sense of what it's about -  what it's for.   And there's a bit too much musical theater influence strewn through the album for my taste.

Aladdin Sane is an odd one - I've never really connected with it. The three-song run of title track / Drive-In / Panic  is pretty darn exciting. "The Jean Genie" is a thrilling rip-off of the Yardbirds - sonically, a throwback to Happenings Eight Years Time Ago. But it's beaten at its own game by The Sweet's "Blockbuster", which has more or less the same riff. 

Blackstar felt heroically daring and fearless and consummate at the time, but even then I suspected its stature would dim a bit in time... and the only thing that really lives with me is the title track, where he already sounds like a ghost. 

The Next Day - again, the temptation at the time to overestimate was overwhelming... but it's not lingered.

Pin-Ups is the definition of a curio, a curate's egg... compelling wrong in its over-mannered reiterations of the too-recent past, perhaps. I cannot imagine the circumstances in which I would want to play it from start to finish.

The remainder? 

Outside gets points for effort, if that ever cut any ice with listeners, which it doesn't.

I do genuinely love "Little Wonder" -  just for his earnest attempt to keep up with the cutting edge, the effort he made to make a decent fist of the junglizm. But the rest of Earthling...  And then there's his image at that time. 

Actually, in the video, he looks like...  not a gnome, but a goblin.


Funny thing, I never noticed there's a reference to "gnomes" in the opening verse: 

Stinky weather fat, shaky hands

Dopey morning doc, grumpy gnomes

Amazing Grace

  Grace Jones on the Pee Wee Herman Christmas Special from 1988 Jones clip via the fascinating, poignant HBO documentary on Pee Wee Herman...