Tuesday, October 24, 2023

Sharpie dressed men - and women



"Slade Alive! was the biggest selling album in Australia since Sgt. Pepper’s. Here Slade were embraced by an existing Aussie subculture called the sharpies, a Down Under mutant of skinheads.  Sharpies had their own uniquely odd style of dancing and a look that merged skin with glitter plus quirky local variations. High-waist denim trousers, platform boots, a torso-hugging cardigan worn a couple of sizes too tight – the sharpie style was a harder, meaner version of the look that the Bay City Rollers would adopt in a year or two. But the hair style was something else: cropped at the front and on top, but mullet-like with rat-tail wisps straggling over the back collar.  In addition to Slade, Sharpies loved other stompy glitter performers like Suzi Quatro but they also rallied to local acts purveying basic bluesy boogie such Lobby Loyde & the Coloured Balls."  - from S+A




Call it the Bogan Boogie...



At 1.12 below you can see sharpies taking over the stage at a Slade concert




More on the sharpies by Bruce Milne at Perfect Sound Forever


"The Sharpie movement was a short-lived youth subculture that seemed to explode out of nowhere, in Melbourne, Australia, in late '72. I can still remember the moment when I first noticed the tougher kids at my school turning up in strange clothes and haircuts. It seemed that within a matter of weeks Sharpies were everywhere.

"My most vivid memory was, as a longhaired 16 year old, going to the Sunbury '74 rock festival in a kaftan... "The festival was not quite the three days of peace, love and music I had been led to believe it would be. It was dust, scorching heat, no toilets to speak of and a lot of drunk, aggressive people.,,, 

"It was the haircuts and clothes that defined Sharpies. Though there were plenty of variations and permutations, the basic look (for boys and girls) was short hair, with longs wisps at the back, flared, high-waisted pants or jeans and a tight-fitted, striped cardigan....

"Largely, Sharpies were just bored, working-class kids from outer suburbs (that had sprung up too quickly, and with too few decent facilities and the needed infrastructure) hanging together and looking for things to do in a rapidly expanding city that was renown for its boring conservatism....
 
:Sharpies were very territorial. They named their gangs after the suburb (Broadmeadows -"The Broady Boys," Jordanville – "The Jordy Boys"), part of the suburb ("The South Blackburn Sharps"), or even the street they came from. Presumably because they were too broke or too young to own cars, they seemed to live half their lives on the trains and train stations around Melbourne. It made for some very scary travelling.

"Bowling alleys and pinball parlors were another place you could always count on running into a contingent.

"Before long, Sharpies could be found in every major city, though Melbourne was always Mecca. You couldn't find the right clothes in other places. The weather probably had a lot to do with it, too. Melbourne is the only major city in the country that isn't warm almost all year long. Walking around any other city in a tight, woollen cardigan would have taken a lot of commitment.

"I've since read that Sharpies evolved out of Sharps – sorta mod dressing kids in the late 60s who didn't go in for the whole cheese-cloth and sandals hippy thing.... 

"The boys' haircuts were short all over with styled (and often bleached) strands ("rat tails") hanging down the back. The girls' haircuts were often similar, though they tended to have their hair a bit longer. Red dye seemed to be very popular, too. Whenever I see the cover of Bowie's Aladdin Sane, Diamond Dogs or (especially) Pinups, I think of Sharpie girls.

"The most important item of Sharpie clothing was the "Conny," a super tight, ribbed and collared cardigan. They came in a variety of colors, with stripes of a clashing colour, and they usually had a silly little buttoned belt on the back (similar to what you might find on an old waist coat). ...

"Under the connys, a Crestknit short-sleeved shirt, with a small collar and a 3-button neck was go. Or a T-shirt. It was really hard to find T-shirts with cool designs or band logos on them in the early '70's. But almost every shopping mall had a small booth where you could take a t-shirt and have flock (velvety) block letters glued on it. The organised Sharpie gangs always had t-shirts with their gang's name done in these.... 

"Jeans were almost mandatory. For boys, they had to be tight Lees or Levis. If you had the money, or you were really dressing up, ridiculous Staggers jeans were the go. They had a really tight seam up the crotch that split (and highlighted) your balls. They must have been painful to wear. They often had extreme flared legs..../ 

"A lot of guys also wore chequered flared pants that (I'm guessing) were inspired by Noddy Holder's (of Slade) stage wear.

"Girls had more variety but the most popular jeans were really high waisted with wide flared (loon) legs that often covered the tops of their platform shoes. Denim miniskirts were also popular. Worn with colored tights and/or striped socks....

"Big platform boots were standard for boys. They were often two-coloured, in much the same way as a sunburst guitar is. They had a heavy, high heel and an exaggerated rounded toe, or a blunt, squared toe.....

"Girls wore platform shoes that had a solid cork base. As high as possible.

"The height of the shoes meant that Sharpies walked in a sort of Herman Munster-ish way."

"Sharpie guys were the first males I ever saw with earrings, usually just one, small ring. Sharpie girls had heavily plucked eyebrows and exaggerated eye make up in terrible (powder-blue, orange, ugh!) colours."


"The Sharpies loved their music tough, loud and simple. Suzi Quatro, Sweet, Sensational Alex Harvey Band, T-Rex, Gary Glitter and Bowie (as long as it was songs like "Rebel Rebel" or "Jean Genie"). But the most popular overseas group was Slade. They were probably bigger in Australia than anywhere else. "Slade Alive!" was played at every party I went to where there were Sharpies. When Slade toured with Status Quo in early '73, every gig was like a mass meeting of the Sharpie clans.... 

"Looking back, all of the fave Sharpie songs tended to be the simple, call-to-arms anthems – "Can The Can, " "Rebel Rebel, " "Get It On," "Metal Guru," "I'm the Leader of the Gang (I Am!)," "Rock'n'Roll Pt. 2," "Jean Genie," "Ballroom Blitz," "Liberate Rock," "All The Young Dudes," "Smokin' In The Boysroom," "Speed King," "Teenage Rampage," "Framed," "Get Down and Get With It," "Mama Weer All Crazee Now," "Cum on Feel the Noize."

"The Sharpies had a particular dance. They'd form small circles and bounce on their legs a bit whilst thumpin' their fists up and down in front of their bodies."


An older post on the Sharpies and Bogan Boogie, with comments from actual Aussies who witnessed the Down Under subculcha in real time. 



4 comments:

  1. Suddenly everything about AC/DC makes sense.

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    Replies
    1. Some very clear Sweet / Slade flavours in their first filmed performance, with pre-Bon vocalist Dave Evans: https://en.faceoffrockshow.com/post/ac-dc-s-first-live-performance-31-12-1973-1

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  2. Grrrr! I just got a copy of Energy Flash to give to a friend, and I've only had the opportunity to read through the Madchester section, and I got right browned off for two very good reasons.
    1) Tony Wilson always denied saying that Ian Curtis' death was a great selling point. As I recollect, he tried to sue, The Face strung him along wih evasive language until the statute of limitations passed, then they admitted they'd made the quote up. It makes sense that The Face would conjure up such a malign quote, and it makes even more sense that Tony Wilson would never say anything that involved actually making money.
    2) Pills 'n' Thrills and Bellyaches does not just have three good songs. It is not only a practically faultless album, but clearly one of the ten (five? it's good enough) greatest albums this ramshackle archipelago ever produced. At the very, very, smidgenest, you must recognise that we Mondays fans herald Kinky Afro as their greatest song, with Shaun Ryder cementing his position in the Valhalla of songwriting deities. How dare you traduce them so.
    I now have to write in the margins "NOT TRUE" and "UTTER BOLLOCKS" respectively, so my mate knows the real score. None of this silly bother would have happened had you just appreciated the Mondays properly. Frankly, I hope you feel bloody well ASHAMED.

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