successor to Shock and Awe whose feed no longer seems to be working properly - original blog + archive remains here: http://shockandawesimonreynolds.blogspot.com/ ^^^^^^^^^^^^^^^^ the blog of the Simon Reynolds book about glam and artpop of the 1970s and its aftershocks and reflections to this day
Friday, June 26, 2026
Goth goes Glam
What tarts!
Gene Loves Jezebel must have seen Love and Rockets enjoying Stateside sucksess with the T. Rexy "So Alive" and they thought "we'll ave summathat, eh boyo?"
That said, I do really enjoy "Motion of Love" as sound + vision in all its effrontery and fakery
The phasing on the backing vocals...
It's less "going glam" in the '70s T. Rexy sense and more glam as in glam metal, hair metal...
I suppose this is prime Bad Music Era, but the ShitBrit is definitely improved by the attempt to conquer Billboard rather than just scale the summit of the UK independent chart.
The missus is quite fond of Gene Love Jezebel's early stuff when they have a sort of neo-psych / Cult circa "She Sells Sanctuary" vibe.... but I prefer this would-be sell-out phase.
Tragic story, though - the Aston brothers fell out terribly, and there are now two versions of Gene Loves Jezebel touring different sectors of the world. I forget which brother has North America.
Checking Wikipedia, it says they fell out twice:
"The brothers reconciled in the mid-1990s, wrote some new songs together, and shared a house in Los Angeles"
But that detente didn't last, resulting in a permanent ruction and the ongoing rival Gene Loves Jezebels.
And then this happened
"In September 2018, Jay Aston, James Stevenson, and Peter Rizzo were named as defendants in a lawsuit brought by Michael Aston for infringement of his trademark at the end of Jay Aston's Gene Loves Jezebel's first US tour in ten years. Jay Aston's band argued that they had complied with the agreement with Michael Aston to the best of their ability. At the hearing on 7 January 2019 in Santa Ana, California, before the judge The Hon James Selna, the judge found in favour of the defendants on all of the five counts that Michael Aston had brought and ordered him to pay the defendants' legal fees."
So many of these Goths ended up living in Los Angeles... Peter Murphy for instance.
Lol Tolhurst also (met him at the Hay Festival in Mexico last year, at a lunch organized by the British Ambassador for all the U.K. authors... educated fellow, we had a good chat)
I suppose many British pop stars and cult stars end up here... and why not... it's where the Biz is... the weather is better
There's also a big Goth scene (industrial too) in LA, a kind of spiritual dissidence against sun and outdoors-iness and tans and health. The commitment it takes to wear all black heavy clothing head to foot all year round in Southern California...
If they didn't literally move to LA, Brit Goth groups often tried to move there sonically /career-orientation-ly
Tempting to say Flesh For Lulu are the dreggiest dregs of the Bad Music Era, but then there's Balaam and the Angel, there's The Bolshoi, there's Sex Gang Children
Thing I never knew - Julianne Regan was the bassist in Gene Loves Jezebel at one point, prior to forming All About Eve.
Oh my God, there is Wiki Fear and Wiki Fizzle, but sometimes there is Wiki Manna - just a pure gift of brightness and joy irradiating one's life
So... I learn that The Mountain Goats, as in John Darnielle, did a whole album called Goths, and one of the songs tells the saga of Gene Love Jezebel (it sounds a bit like Jackson Browne's "The Pretender")
Robert Smith is secure at his villa in France
Any child knows how to do the spiderweb dance
Siouxsie has enough hits to keep the bills paid
Every New Year's in Los Angeles, you can still see Richard Blade
But the world forgot about Gene Loves Jezebel
Yeah, the world forgot about Gene Loves Jezebel
They charted once or twice
They were on a major label
When the singer went solo
He left money on the table
The two main guys are related
They're at war with each other
Now there's two Genes loving Jezebel
One for each brother
But the world came to agree
What you see is what you get
And what you get is what you see
Whether you're The March Violets or The Bolshoi
Bands who had to leave the darkness for the sun
Red Lorry Yellow Lorry were on Cherry Red, I think
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